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21 CommentsChronological   Reverse   Threaded
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corinne54 wrote on Apr 7, '11
For the next eight days, between dusk when her stint in the library came to an end and that hour of the night - which was generally eight or ten o'clock - when she was returned to her cell, in chains and naked beneath her red cape, O wore an ebonite shaft simulating an erect male member which was inserted behind and held in place by three small chains connected to a leather belt around her haunches, in such a way that the internal movements of her muscles could not expel it. One little chain followed the furrow of her buttocks, the two others the fold on either side of the belly's triangle, in order not to prevent anyone from penetrating that side if need be.
When René had rung, it was to have the coffer brought in which contained, or one of whose compartments contained, an assortment of small chains and belts, and whose other held a variety of these shafts, ranging from the very thin to the very thick. They all had one feature in common, namely that they flared at the base, to make it impossible for them to slide up inside the body, an accident which might have produced the opposite effect from that desired, that is it might have allowed the ring of flesh to tighten up again, whereas the purpose of the shaft was to distend it. Thus widened, and widened each day a little more, for James, who made her kneel down, or rather lie prone, to watch while Jeanne or Monique, or whichever girl happened to be there, fastened the shaft that he had chosen, each day chose a thicker one. At the evening meal, which the girls took together in the same refectory, after their bath, naked and powdered O still wore it, and everyone could see that she was wearing it, because of the little chains and the belt.
corinne54 wrote on Apr 7, '11
Thus, less than twenty-four hours after her arrival, during her second day there, she was taken after the meal into the library, there to serve coffee and tend the fire. Jeanne, whom the black-haired valet had brought back, went with her, as did another girl named Monique. It was this same valet who took them there and remained in the room, stationed near the stake to which O had been attached. The library was still empty. The French doors faced wet, and in the vast, almost cloudless sky the autumn sun slowly pursued its course, its rays lighting, on a chest of drawers, an enormous bouquet of sulfur colored chrysanthemums which smelled of earth and dead leaves.
"Did Pierre mark you last night?" the valet asked O.
She nodded that he had.
"Then you should show it," he said. Please roll up your dress."
He waited till she had rolled her robe up and behind, the way Jeanne had done the evening before, and till Jeanne had helped her fasten it there. Then he told her to light the fire. O's backside up to her waist, her thighs, her slender legs, was framed in the cascading folds of green silk and white linen. The five welts had turned black.
corinne54 wrote on Apr 7, '11, edited on Apr 7, '11
Daylight made their outfits look strange and menacing. Some valets wore black stockings and, in place of the red jacket and white ruffled shirt, a soft wide-sleeved shirt of red silk, gathered at the neck and with the sleeves also gathered at the wrists. It was one of these valets who, on the eight day at noon, his whip already in his hand, made a buxom blonde named Madeleine, who was seated not far from O, get up off her stool. Madeleine, whose bosom was all milk and roses, had smiled at him and spoken a few words so quickly that O had missed them. Before he had time to touch her she was on her knees, her hand, so white against the black silk, lightly stroking the still dormant sex, which she took out and brought to her beautiful,her gaping red mouth. That time she was not whipped. And since he was then the only monitor in the refectory, and since he closed his eyes as he accepted the proferred caress, the other girls began talking.
corinne54 wrote on Apr 7, '11
René, who had come over to the two women, said to O: "Watch." And to Jeanne: "Lift your dress." With both hands she raised the crackling silk and the crinoline which lined it, revealing as she did a golden belly, gleaming thighs and knees, and a tight black triangle. René put his hand on it and slowly explored, and with the other excited the nipple of one breast.
"Merely so you can see," he said to O.
corinne54 wrote on Apr 7, '11
In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared. He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back. Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur. He took the pillow from beneath her head and said politely:
"Would you lease stand up," and when she was on her knees, a position she managed by pulling herself up with the chain, he gave her a hand, taking her by the elbows so that she could stand up straight with her face to the wall. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures. She guessed, but could not see, that he was undoing the chain to re-hook it to another link, so that it would remain taut, and she could feel it growing tighter. Her feet, which were bare, were solidly planted on the bed.
corinne54 wrote on Apr 7, '11
Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard. She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it. At the same time as she heard a whistling noise in the semi-darkness, O felt a terrible burning across her back, and she screamed. Pierre plied the crop with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer. Even after he had stopped she went on screaming, and the tears streamed down into her open mouth.
"Please be good enough to turn around," he said, and since she, who was completely distracted, failed to obey, he took her by hips without letting go of his riding crop, the handle of which brushed against her waist. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could. The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.
corinne54 wrote on Apr 7, '11
"Behold the lovely lady," said the valet as he entered. And he seized both her hands. He slipped one of the bracelet hooks into the other, so that her wrists were tightly joined, then clipped both these hooks to the ring of the necklace. Thus her hands were joined as in an attitude of prayer, at the level of her neck. All that remained to be done was to chain her to the wall with the chain that was lying on the bed, and was attached to the ring above. He unfastened the hook by which the other end was attached and pulled on it in order to shorten it. O was forced to move to the head of the bed, where he made her lie down. The chain clicked in the ring, and was so tight that the young woman could do no more than move from one side of the bed to the other or stand up on either side of the headboard. Since the chain tended to shorten the collar, that is, pull it backward, and her hands tended to pull it forward, and equilibrium was established, with her joined hands lying on her left shoulder and her head bending in that direction as well. The valet pulled the black cover up over O, but not before he had lifted her legs for a moment and pushed them back toward her chest, to examine the cleft between her thighs. He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.
Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet. She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her (and did she really want to defend herself?), but had they been free they would at least have made the gesture, have made an attempt to repel the hands which seized her, the flesh which pierced her, to protect her loins from the whip. O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly. The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter. She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her. She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening (if it had been he), he had never penetrated. She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees. The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror? She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head. Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that? She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep.
corinne54 wrote on Apr 7, '11
While there were talking to O, the two women who had come to dress her had been standing on either side of the stake where she had been whipped, without touching it, as though it terrified them, or as though they had been forbidden to touch it (which was more likely); when the man had finished, they came over to O, who realized that she was supposed to get up and follow them. She therefore got up, gathering her skirts in her arms to keep from tripping, for she was not used to long dresses and did not feel steady on the mules with thick soles and very high heels which only a thick satin strip, of the same green as her dress, kept from slipping off her feet. As she bent down she turned her head. The women were waiting, the men were no longer looking at her. Her lover, seated on the floor leaning against the ottoman over which she had been thrown at the beginning of the evening, with his knees raised and his elbows on his knees, was toying with the leather whip. As she took her first step to join the women, her skirt grazed him. He raised his head and smiled, calling her by her name, and he too stood up. Softly her caressed her hair, smoothed her eyebrows with the tip of his finger, and softly kissed her on the lips. In a loud voice, he told her that he loved her. O, trembling, was terrified to notice that she answered "I love you," and that it was true. He pulled her against him and said: "Darling, sweetheart," kissed her on the neck and the curve of the cheek; she had let her head fall on his shoulder, which was covered by the purple robe. Very softly this time he repeated to her that he loved her, and very softly added: "You're going to kneel down, cress me, and kiss me," and he pushed her away, signaling to the women to move aside so he could lean back against the console. He was tall, but the table was not very high and his long legs, sheathed in the same purple as his robe, were bent. The open rope stiffened from beneath like drapes, and the top of the console table slightly raised his heavy sex and the light fleece above it. The three men approached. O knelt down on the rug, her green dress in a corolla around her. Her bodice squeezed her; her breasts whose nipples were visible, were at the level of her lover's knees. "A little more light," said one of the men. As they were adjusting the lamp so that the beam of light would fall directly on his sex and on his mistress's face, which was almost touching it, and on her hands which were caressing him from below, René suddenly ordered: "Say it again: 'I love you.'" O repeated "I love you," with such delight that her lips hardly dared brush the tip of his sex, which was still protected by its sheath of soft flesh. The three men, who were smoking, commented on her gestures, on the movement of her mouth closed and locked on the sex she had seized, as it worked its way up and down, on the way tears streamed down her ravaged face each time the swollen member struck the back of her throat and made her gag, depressing her tongue and causing her to feel nauseous. It was this same mouth which, half gagging on the hardened flesh which filled it, murmured again: "I love you." The two women had taken up positions to the right and left of René who had one arm around each of their shoulders. O could hear the comments made by those present, , but through their words she strained to hear her lover's moans, caressing him carefully, slowly , and with infinite respect, the way she knew pleased him. O felt that her mouth was beautiful, since her lover condescended to enter it,to shed his seed in it,to make a spectacle of its caresses. She received as a god is received, she heard him cry out, heard the others laugh, and when she had received it she fell, her face against the floor. The two women picked her up, and this time they led her away.
corinne54 wrote on Apr 7, '11, edited on Apr 7, '11
They attached a long red cape to the ring of her collar and draped it over her shoulders. It covered her completely, but opened when she walked, since, with her hands behind her back, she had no way of keeping it closed. One woman proceeded her, opening the doors, and the other followed, closing them behind her. They crossed a vestibule, two drawing rooms, and went into the library, where four men were having coffee. They were wearing the same long robes as the first, but no masks. And yet O did not have time to see their faces or ascertain whether her lover was among them (he was), for one of the men shone a light in her eyes and blinded her. Everyone remained stock-still, the two women flanking her and the men in front, studying her. Then the light went out; the women left. But O was blindfolded again. Then they made her walk forward - she stumbled slightly as she went - until she felt that she was standing in front of the fire around which the four men were seated: she could feel the heat, and in the silence she could hear the quiet crackling of the burning logs. She was facing the fire. Two hands lifted her cape, two others - after having checked the clasps on her bracelets - descended the length of her back and buttocks. The hands were not gloved, and one of them penetrated her in both places at once, so abruptly that she cried out. Someone laughed.

corinne54 wrote on Apr 7, '11, edited on Apr 7, '11
All I know is that when the two women returned, one was carrying a dressmaker's tape measure and the other a basket. With them came a man dressed in a long purple robe, full at the shoulders. When he walked the robe flared open, from the waist down. One could see that beneath his robe he had on some sort of tights, which covered his legs and thighs but left the sex exposed. It was the sex that O saw first, when he took his first step, then the whip, made of leather thongs, which he had stuck in his belt. Then she saw that the man was masked by a black hood - which concealed even his eyes behind a network of black gauze - and, finally, that he was also wearing fine black kid gloves.
Using the familiar tu form of address, he told her not to move and ordered the women to hurry. The woman with the tape then took the measurements of O's neck and wrists. Though on the small side, her measurements were in no way out of the ordinary, and it was easy enough to find the right-sized collar and bracelets, in the basket the other woman was carrying. Both collar and bracelets were made of several layers of thin leather, so that the total was no more than the thickness of a finger. They had clasps, which functioned automatically like a padlock when it closes, and they could be opened only by means of a small key. Imbedded in the layers of leather, directly opposite the lock, was a snugly fitting metal ring, which hallowed one to get a grip on the bracelet, if one wanted to attach it, for both collar and bracelets fit the arms and neck so snugly - although not so tight as to be the least painful - that it was impossible to slip any bond inside.
So they fastened the collar and bracelets to her neck and wrists, and the man told her to get up. He took her place on the fur ottoman, called her over till she was touching his knees, slipped his gloved hand between her thighs and over her breasts, and explained to her that she would be presented that same evening, after she had dined alone.
She did in fact dine by herself, still naked, in a sort of little cabin where an invisible hand passed the dishes to her through a small window in the door. Finally, when the dinner was over, the two women came for her. In the boudoir, they had her put her hands behind her back and secured them there by means of the rings on her bracelets..
corinne54 wrote on Apr 8, '11
Pierre entered. There were still two hours before dinner. He told her that she would not dine in the common room and said to get ready, pointing to the Turkish toilet in the corner, over which she had to squat, as Jeanne had warned her she would in the presence of Pierre. All the while she remained there he stood contemplating her, she could see him in the mirrors, and see herself, and was incapable of holding back the water which escaped from her body. He waited then until she had bathed and powdered herself. She was going to get her mules and red cape when he stopped her and added, fastening her hands behind her back, that there was no need to, but that she should wait a moment for him. She sat down on a corner of the bed. Outside it was storming, a tempest of cold rain and wind, and the poplar tree near the window swayed back and forth beneath the gusts. From time to time a pale wet leaf would splatter against the windowpanes. It was as dark as in the middle of the night, although the hour of seven had not yet struck, for autumn was well advanced and the days were growing shorter.
When Pierre returned, he was carrying the same blindfold with which he had blindfolded her the first evening. He also had a long chain, which made a clanking noise, a chain similar to the one fastened to the wall. O had the impression that he couldn't make up his mind whether to put the blindfold or the chain on her first. She was gazing out at the rain, not caring what they wanted from her, thinking only that René had said he would come back, that there were still five days and five nights to go, and that she had no idea where he was or whether he was alone and, if he was not alone, who he was with. But he would come back. Pierre had laid the chain on the bed and, without interrupting O's daydream, had covered her eyes with the blindfold of black velvet. It was slightly rounded below the sockets of her eyes, and fitted the cheekbones perfectly, making it impossible to get the slightest peek or even to raise the eyelids. Blessed darkness like unto her own night, never had O greeted it with such joy, blessed chains that bore her away from herself.
Pierre fastened the chain to the ring in her collar and invited her to follow him
corinne54 wrote on Apr 8, '11
She got up, felt herself being pulled forward, and walked. Her bare feet were icy cold on the tiles, and she gathered she was following the hallway of the red wing; then the ground which was still as cold, became rough underfoot: she was walking on a stone floor, made of sandstone or granite. Twice the valet made her stop, she heard the sound of a key in a lock, of a lock being turned and opened, then locked again. "Careful of the steps," said Pierre, and she went down a staircase, and once she stumbled. Pierre caught her around the waist. He had never touched her except to chain or beat her, but here he was now forcing her down onto the cold steps, which she tried to grasp with her bound hands to keep from slipping, and he was talking her breasts. His mouth moved from one to the other, and as he pressed against her, she could feel him slowly rising. He did not help her up until he had taken his pleasure with her. Damp and trembling with cold, she finally descended the last steps and heard another door open, which she went through and immediately felt a thick rug beneath her feet.
corinne54 wrote on Apr 8, '11
The mules banged on the red tiles of the hallway, where doors succeeded doors, discreet and clean, with tiny locks, like the doors of the rooms in big hotels. O was working up the courage to ask whether each of these rooms was occupied, and by whom, when one of her companions, whose voice she had not yet heard said to her:
"You're in the red wing, and your valet's name is Pierre."
"What valet?" said O, struck by the gentleness of the voice. "And what's your name?"
"Andrée."
"Mine is Jeanne," said the second.
"The valet is the one who has the keys," the first one went on, "the one who will chain and unchain you, who will whip you when you are to be punished and when the others have no time for you."
"I was in the red wing last year," Jeanne said. "Pierre was there already. He often came in at night. The valets have the keys and the right to use any of us in the rooms of their section."
O was about to ask what kind of person this Pierre was, but she did not have time to. As they turned a corner of the hallway, they made her halt before a door similar in all respects to the others: on a bench between this and the following door she noticed a sort of thick-set, ruddy peasant, whose head was practically clean shaved, with small black eyes set deep in his skull and rolls of flesh on his neck. He was dressed like the valet in some operetta: a shirt whose lace frills peeked out from beneath his black vest, which itself was covered by a red jacket of the kind called a spencer. He had black breeches, white stockings, and patent-leather pumps. He too was carrying a leather-thonged whip in his belt. His hands were covered with red hair. He took a master key from his vest pocket, ushered the three women in, and said:
"I'm locking the door. Ring when you've finished."
The cell was quite small, and actually consisted of two rooms. With the hall door closed, they found themselves in an antechamber which opened into the cell proper; in this same wall, inside the room itself, was another door which opened into the bathroom. Opposite the doors there was the window. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and covered with furs. There was no other furniture, no mirror. The walls were bright red, and the rug black. Andrée pointed out to O that the bed was less a bed than a mattressed platform covered with a black, longhaired imitation fur material. The pillow, hard and flat like the mattress, was of the same reversible material. The only object on any of the walls was a thick, gleaming steel ring which was set at about the same height above the bed as the hook in the stake had been above the floor of the library; from it descended a long steel chain directly onto the bed, its links forming a little pile, the other end being attached at arm's length to a pad-locked hook, like a drapery pulled back and held in place by a curtain loop.
corinne54 wrote on Apr 8, '11
"We have to give you your bath," Jeanne said. "I'll unfasten your dress."
The only peculiar features of the bathroom were the Turkish-type toilet, located in the corner nearest the door, and the fact that every inch of wall space was covered with mirrors. Jeanne and Andrée did not allow O to go in until she was naked. They put her dress away in the closet next to the washbasin, where her mules and red cape already were, and remained with her, so that when she had to squat down over the porcelain pedestal she found herself surrounded by a whole host of reflections, as exposed as in the library when unknown hands had taken her by force.
"Wait until it's Pierre," said Jeanne, "and you'll see."
"Why Pierre?"
"When he comes to chain you, he may make you squat."
O felt herself turn pale. "But why?" she said.
"Because you have to," Jeanne replied. "But you're lucky."
"Why lucky?"
"Was it your lover who brought you here?"
"Yes," O said.
"Then they'll be a lot harder with you."
"I don't understand...."
"You will very soon. I'm ringing for Pierre. We'll come and get you tomorrow morning."
Andrée smiled as she left and Jeanne, before following her, caressed the tips of O's breasts.
corinne54 wrote on Apr 8, '11, edited on Apr 9, '11
When they untied the young woman, she staggered and almost fainted, draped in her red cape. Before returning her to the cell she was to occupy, they sat her down in an armchair near the fire and outlined for her the rules and regulations she was to follow during her stay in the château and later in her daily life after she had left it (which did not mean regaining her freedom, however). Then they rang. The two young women who had first received her came in, bearing the clothes she was to wear during her stay and tokens by which those who had been hosts at the château before her arrival and those who would be after she had left, might recognize her. Her outfit was similar to theirs: a long dress with a full skirt, worn over a sturdy whalebone bodice gathered tightly at the waist, and over a stiffly starched linen petticoat. The low-cut neck scarcely concealed the breasts which, raised by the constricting bodice, were only lightly veiled by the network of lace. The petticoat was white, as was the lace, and the dress and bodice were a sea-green satin. When O was dressed and resettled in her chair beside the fire, her pallor accentuated by the color of the dress, the two young women, who had not uttered a word, prepared to leave. One of the four friends seized one of them as she passed, made a sign for the other to wait, and brought the girl he had stopped back toward O. He turned her around and, holding her by the waist with one hand, lifted her skirt with the other, in order to demonstrate to O, he said, the practical advantages of the costume and show how well designed it was. He added that all one needed to keep the skirts raised was a simple belt, which made everything that lay beneath readily available. In fact, they often had the girls go about in the château or the park either like this, or with their skirts tucked up in front, waist high. They had the young woman show O how she would have to keep her skirt: rolled up several turns (like a lock of hair rolled in a curler) and secured tightly by a belt, either directly in front, to expose the belly, or in the middle of the back, to leave the buttocks free. In either case, skirt and petticoat fell diagonally away in large, cascading folds of intermingled material. Like O, the young woman's backside bore fresh welts from the riding crop. She left the room.
Here is the speech they then delivered to O:
"You are here to serve your masters. During the day, you will perform whatever domestic duties are assigned to you, such as sweeping, putting back the books, arranging flowers, or waiting on table. Nothing more difficult than that. But at the first word or sign from anyone you will drop whatever you are doing and ready yourself for what is really your one and only duty: to avail yourself to be used. Your hands are not your own, nor are your breasts, nor, most especially, any of your bodily orifices, which we may explore or penetrate at will. You will remember at all times - or as constantly as possible - that you have lost all right to privacy or concealment, and as a reminder of this fact, in our presence you will never close your lips completely, or cross your legs, or press your knees together (you may recall you were forbidden to do this the minute you arrived). This will serve as a constant reminder, to you as well as to use, that your mouth, your belly, and your backside are open to us. You will never touch your breasts in our presence: the bodice raises them toward us, that they may be ours. During the day you will therefore be dressed, and if anyone should order you to lift your skirt, you will lift it; if anyone desires to use you in any manner whatsoever, he will use you, unmasked, but with this one reservation: the whip. The whip will be used only between dusk and dawn. But besides the whipping you receive from whoever may want to whip you, you will also be flogged in the evening, as punishment for any infractions of the rules committed during the day: for having been slow to oblige, for having raised your eyes and looked at the person addressing you or taking you - you must never look any of us in the face. If the costume we wear in the evening - the one I am now wearing - leaves our sex exposed, it is not for the sake of convenience, for it would be just as convenient the other way, but for the sake of insolence, so that your eyes will be directed there upon it and nowhere else, so that you may learn that there resides your master, for whom, above all else, your lips are intended. During the day, when we are dressed in normal attire and you are clothed as you are now, the same rules will apply, except that when requested you will open your clothes, and then close them again when we have finished with you. Another thing: at night you will have only your lips with which to honor us - and your wide-spread thighs - for your hands will be tied behind your back and you will be naked, as you were a short while ago. You will be blindfolded only to be maltreated and, now that you have seen how you are whipped, to be flogged. And yes, by the way: while it is perfectly all right for you to grow accustomed to being whipped - since you are going to be every day throughout your stay - this is less for our pleasure than for your instruction. How true this is may be shown by the fact that on those nights when no one desires you, you will wait until the valet whose job it is comes to your solitary cell and administers what you are due to receive but we are not in the mood to mete out. Actually, both this flogging and the chain - which when attached to the ring of your collar keeps you more or less closely confined to your bed several hours a day - are intended less to make you suffer, scream, or shed tears than to make you feel, through this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something outside yourself. When you leave here, you will be wearing on your third finger an iron ring, which will identify you. Bu then you will have learned to obey those who wear the same insignia, and when they see it they will know that beneath your skirt you are constantly naked, however comely or commonplace your clothes may be, and that this nakedness is for them. Should anyone find you in the least intractable, he will return you here. Now you will be shown to your cell."
corinne54 wrote on Apr 8, '11
She knew very well why Anne-Marie had wanted, above all else, to have her whipped. That the female of the species was as cruel as, and more implacable than, the male, O had never doubted for a minute. But O suspected that Anne-Marie was less interested in making a spectacle of her power than she was in establishing between O and herself a sense of complicity. O had never really understood, but she had finally come to accept as an undeniable and important verity, this constant and contradictory jumble of her emotions: she liked the idea of torture, but when she was being tortured herself she would have betrayed the whole world to escape it, and yet when it was over she was happy to have gone through it, happier still if it had been especially cruel and prolonged. Anne-Marie had been correct in her assumptions both as to O's acquiescence and as to her revolt, and knew that her pleas for mercy were indeed genuine. There was still a third reason for what she had done, which she explained to O. She was bent on proving to every girl who came into her house, and who was fated to live in a totally feminine universe, that her condition as a woman should not be minimized or denigrated by the fact that she was in contact only with other women, but that, on the contrary, it should be heightened and intensified. That was why she required that the girls be constantly naked; the way in which O was flogged, as well as the position in which she was bound, had no other purpose. Today it was O who would remain for the rest of the afternoon – for three more hours - exposed on the dais, her legs raised and spread. Tomorrow it would be Claire, or Colette, or Yvonne, whom O would contemplate in tun. It was a technique much too slow and meticulous (as likewise was the manner of applying the whip) to be used at Roissy. But O would see how efficient it was. Apart from the rings and the letters she would wear when she left, she would be returned to Sir Stephen more open, and more profoundly enslaved, than she had ever before thought possible.
corinne54 wrote on Apr 8, '11
Molly Weatherfield said " I've always been a sucker for the moment when the heavy double doors shut behind you and there you are,bound and gagged and alone with your terror and desire."
corinne54 wrote on Apr 8, '11
Emily Apted--"Such a voice,even as it seeks to blot itself out, stands out against the backdrop of the male canon, articulating a credo of feminine pleasure."

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